『殺人捜査』（1969年）、『労働者階級は天国に入る』（1971年）、『LA PROPRIETA NON E PIU UN FURTO』（1973年）からなる“神経症三部作”は、エリオ・ペトリ監督を国際映画界の論争の中心に立たせた。これらの作品で、彼は1960年代後半のイタリアの現実に対する新しいヴィジョンの基礎を築いた。学生闘争、赤と黒のテロリズム、フォンターナ広場の虐殺、当局の手によるピネッリの死、マフィアの拡大、クライアントリズムなどを経験した時期である。彼はそのすべてを直接体験し、その物語を伝えたかったのだ。
The Trilogy of Power or Neurosis, consisting of INDIGINE SU CITTADINO AL DI SOPRA DI OGNI SOSPETTO (1969), LA CLASSE OPERAIA VA IN PARADISO (1971) and LA PROPRIETA NON E PIU UN FURTO (1973), put director Elio Petri at the center of controversy in international cinema. With these films, he laid the foundation for a new vision of the Italian reality of the late 1960s. It was a time during which Petri experienced the student struggles, the red and black terrorism, the Piazza Fontana massacre, the death of Pinelli at the hands of the authorities, the growth of the Mafia and clientelism. He experienced it all firsthand and wanted to tell the story.
Ennio Morricone created a particular sound for Petri's social cinema based on grotesque forms and adding profane elements to the music itself. They formed one of the most special and memorable duos in 1970s Italian cinema, working together on seven films.
Quartet Records, in collaboration wth Cinevox Records, GDM and Universal Music Publishing Italia, is proud to have been able to bring the three albums of the TRILOGIA DEL POTERE back to the market, with completely remastered sound. This strictly limited edition of 300 copies is an opportunity to present the three albums together, housed in an exclusive slipcase. The three scores are presented on separate CDs in separate jewel cases (exactly the same as the separate ones), supervised by Claudio Fuiano and carefully mastered by Chris Malone from the first-generation master tapes. They are complemented by richly illustrated booklets containing detailed essays on the films and scores written by Miguel Angel Ordonez.
トラックリスト
INDAGINE SU UN CITTADINO AL DI SOPRA DI OGNI SOSPETTO
『殺人捜査』（1969年）、『労働者階級は天国に入る』（1971年）、『LA PROPRIETA NON E PIU UN FURTO』（1973年）からなる“神経症三部作”は、エリオ・ペトリ監督を国際映画界の論争の中心に立たせた。これらの作品で、彼は1960年代後半のイタリアの現実に対する新しいヴィジョンの基礎を築いた。学生闘争、赤と黒のテロリズム、フォンターナ広場の虐殺、当局の手によるピネッリの死、マフィアの拡大、クライアントリズムなどを経験した時期である。彼はそのすべてを直接体験し、その物語を伝えたかったのだ。
トラックリストエンニオ・モリコーネは、グロテスクな形態に基づき、音楽そのものに冒涜的な要素を加えることで、ペトリの社会派映画のための特別なサウンドを作り上げた。ふたりは1970年代のイタリア映画界で最も特別で記憶に残るデュオを結成し、7本の映画を共同で制作した。
カルテット・レコードは、シネヴォックス・レコード、GDM、ユニバーサル・ミュージック・パブリッシング・イタリアとのコラボレーションにより、「神経症三部作」の3枚のアルバムを完全リマスター・サウンドで市場に復活！
この300枚限定盤は、3枚のアルバムをまとめて、専用のスリップケースに収めたものである。クラウディオ・フィアーノが監修し、クリス・マローンが第一世代のマスターテープから入念にマスタリングした3つのスコアは、別々のCDに別々のジュエルケース（別々のものと全く同じ）に収められている。また、ミゲル・アンヘル・オルドニェスが執筆した映画とスコアに関する詳細なエッセイを含む、豊富なイラスト入りのブックレットも付属。
限定300セット。
The Trilogy of Power or Neurosis, consisting of INDIGINE SU CITTADINO AL DI SOPRA DI OGNI SOSPETTO (1969), LA CLASSE OPERAIA VA IN PARADISO (1971) and LA PROPRIETA NON E PIU UN FURTO (1973), put director Elio Petri at the center of controversy in international cinema. With these films, he laid the foundation for a new vision of the Italian reality of the late 1960s. It was a time during which Petri experienced the student struggles, the red and black terrorism, the Piazza Fontana massacre, the death of Pinelli at the hands of the authorities, the growth of the Mafia and clientelism. He experienced it all firsthand and wanted to tell the story.
Ennio Morricone created a particular sound for Petri's social cinema based on grotesque forms and adding profane elements to the music itself. They formed one of the most special and memorable duos in 1970s Italian cinema, working together on seven films.
Quartet Records, in collaboration wth Cinevox Records, GDM and Universal Music Publishing Italia, is proud to have been able to bring the three albums of the TRILOGIA DEL POTERE back to the market, with completely remastered sound. This strictly limited edition of 300 copies is an opportunity to present the three albums together, housed in an exclusive slipcase. The three scores are presented on separate CDs in separate jewel cases (exactly the same as the separate ones), supervised by Claudio Fuiano and carefully mastered by Chris Malone from the first-generation master tapes. They are complemented by richly illustrated booklets containing detailed essays on the films and scores written by Miguel Angel Ordonez.
INDAGINE SU UN CITTADINO AL DI SOPRA DI OGNI SOSPETTO
The Original Album (stereo)
1. Indagine su un cittadino al di sopra di ogni sospetto (titoli) 3:29
2. Ripresa l'indagine 1:16
3. Taglio primo 2:12
4. Indagine 4:36
5. Miraggio secondo 3:27
6. Indagine insabbiata 2:10
7. Miraggio terzo 1:59
8. Miraggio 2:35
9. Taglio secondo 1:31
10. Indagine su un cittadino al di sopra di ogni sospetto (finale) 4:12
Bonus Tracks (stereo)
11. Indagine su un cittadino al di sopra di ogni sospetto (alternate) 3:04
12. Miraggio (versione singolo lato B) 2:04
13. Taglio primo (alternate 1) 1:38
14. Miraggio (alternate) 1:57
15. Taglio secondo (alternate) 1:00
16. Miraggio secondo (alternate) 2:55
17. Taglio primo (alternate 2) 1:48
18. Indagine su un cittadino al di sopra di ogni sospetto (alternate extended ending) 4:26
The Original Album (mono)
19. Indagine su un cittadino al di sopra di ogni sospetto (titoli) 3:34
20. Ripresa l'indagine 1:16
21. Taglio primo 2:12
22. Indagine 4:36
23. Miraggio secondo 3:27
24. Indagine insabbiata 2:10
25. Miraggio terzo 1:59
26. Miraggio 2:35
27. Taglio secondo 1:31
28. Indagine su un cittadino al di sopra di ogni sospetto (finale) 4:12
29. Indagine su un cittadino al di sopra di ogni sospetto (unused) 3:13
Total Disc Time: 77:23
LA CLASSE OPERAIA VA IN PARADISO
The Original Album (stereo)
1. La classe operaia va in Paradiso 5:23
2. Metamorfosi 2:13
3. Sinfonia dell'ottimista 8:22
4. Inventario 3:02
5. Tempi di lavorazione 4:10
6. Il sogno 4:42
7. Pazzia di lavoro 2:28
8. Alienazione 3:51
Film Versions (mono)
9. La classe operaia va in Paradiso (#2) 3:43
10. Metamorfosi (#2) 1:59
11. Sinfonia dell'ottimista (#2) 10:35
12. Alienazione (#2) 5:48
13. Inventario (#2) 2:30
14. La classe operaia va in Paradiso (#3) 6:29
Total Disc Time: 65:21
LA PROPIETA NON E’PIU UN FURTO
The Original Album
1. La proprieta non e'piu un furto 2:38
2. Colpo 2:55
3. Ritratto di Anita 1:45
4. L'ultimo ascensore 2:27
5. Io sono… "avere" tu sei… "avere" 3:41
6. Al ladro 2:35
7. Io ho, tu hai 1:53
8. Rapina 1:49
9. Sui tetti 2:39
10. Mostra antifurto 4:11
11. Se po' di… radica 1:38
12. Immobile come una bistecca 2:50
13. Albertone e Total 1:20
Film Versions
14. La proprieta non e'piu un furto (#2) 4:20
15. Colpo (#2) 2:23
16. Al ladro (#2) 2:41
17. Immobile come una bistecca (#2) 2:08
18. Io ho, tu hai (#2) 3:45
19. Albertone e Total (#2) 2:37
20. Rapina (#2) 2:15
21. La proprieta non e'piu un furto (#3) 3:15
22. Mostra antifurto (#2) 4:11
23. L'ultimo ascensore (#2) 2:04
24. Albertone e Total (#3) 1:56
25. Colpo (#3) 2:53
26. La proprieta non e'piu un furto (#4) 2:07
Total Disc Time: 69:08